“The first time in the history of cinema that you’ve seen a Jesus of Black skin,” says the British actor. Uber Taking Naming Rights to Three AEG Properties in Berlinīut perhaps Samuel’s most radical move comes in the casting of Nicholas Pinnock as Jesus. And the soul- and hip-hop-infused soundtrack, featuring more than a dozen songs from Samuel (including one with Jay-Z, a producer on the film), is distinctly 21st century. The chariot race is as much Fast & Furious as Ben-Hur. There are jokes about the crucifixion and masturbation. Jerusalem who spots Jesus Christ preaching to the masses and thinks imitating a Messiah might be a way to make some easy cash. LaKeith Stanfield leads an A-list cast - which includes James McAvoy, David Oyelowo, Anna Diop, Benedict Cumberbatch and Alfre Woodard - as the titular Clarence, a street hustler and religious skeptic in early A.D. 12 - nicely nestled between Christmas and Easter - is a combination of comedy, drama and satire, at turns sacred and profane, a mash-up of Monty Python’s Life of Brian with sword-and-sandal epics of another era, from The Ten Commandments to The Robe. The Book of Clarence, Jeymes Samuel‘s follow-up to all-Black Western The Harder They Fall, is, without doubt, the funkiest biblical epic ever put on screen.
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